member, Human Development and Harmony Cluster, Pamayanang SanibLakas ng Pilipinas

 

 

 

 

 

 

 

 

 

ON-LINE LIBRARY

 

 10-01      ARTICLES IN PARADIGM       LIST OF ALL PARADIGMS

15


15. Aesthetics Without Boundaries: 'Art From the Heart'

Human social harmony and synergies in all human dimensions, with commonalities as bonding element and diversity as dynamic factor.

Aesthetics as basic faculty inherent and to be discovered/developed in all humans: Critique of elitist notions on art.

Interrelation and balance of aesthetics and functionality;

Community aesthetics rooted in the rhythms and rituals of Community Life;  Critique of divisive effects of segregating aesthetics into “seven disciplines”

Critique of commercialization of art.

Critique of overspecialized artistry and star system as elitist and separative in bases and consequences

Specific Nuances of Art in mass communication.


THE 15 EMPOWERING PARADIGMS:

  1. Total Human Development and Harmony Through Synergism

  2. Holistic Health Care and Medicine

  3. Deep Ecology and Harmony with Nature 

  4. Sense of History and Sense of Mission

  5. Civics and Democratic Governance

  6. Culture as Community Creativity

  7. Light-Seeking and Light-Sharing Education

  8. Gender Sensitivity, Equality & Harmony

  9. Reconstructive/Restor-ative Justice

10. Associative Economics, Social Capital and Sustainable Development

11. Synergetic Leadership and Organizations

12. Appropriate/Adaptive Technology

13. Mutual Enrichment of Families and Friendships

14. Human Dignity and Human Harmony: Human Rights and Peace

15. Aesthetics Without Boundaries: 'Art from the Heart'   


.

Art: A Partial Expression of God*

By Dorothy Dobbins

This a passage of an article by Dobbins quotes in an article in The Theosphist

“Art is an archetypal conception in the mind of God; and the nearer to the archetype, the more beautiful is the artistic creation.

The artist, being more sensitive to the soul of things than ordinary people, brings out in his art that which was not clearly manifest in the form he reproduces; he becomes a bridge, so to speak, between heaven and earth, over which comes to humanity a beauty that is God’s life—manifest.

Thus Art may be defined as a partial expression of God as beauty.”


* The inclusion of this article in the holdings of the Lambat-Liwanag On-Line Library is an indication that we are strongly recommending this for perusal by serious students of the Empowering Paradigms. We have not been able to secure information as to whom and at what address we should write in order to request official permission for its inclusion.  As soon as we receive such information, we shall seek the permission, and if such is officially denied, we are ready to remove this item in this collection, albeit reluctantly.

We can be reached via lambat_liwanag@yahoo.com.


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